Historically, Bagan is the invaluable and prominent site where Myanmar’s civilization flourished and is abounding with cultural edifices.

Many Buddhist pagodas, stupas and structures built in the early 11th century AD are there and one may study architecture, literature or culture of that period at will.

I think pony cart is the right choice of visiting around Bagan, taking time to study the fascinating structures, pagodas and stupas large and small.

The pony cart moves steadily along the red earthen lane passing through the shades of neem trees and rows of cacti.

Among the Buddhist religious structures in Bagan, Culamani Temple is unique in its architectural design. The temple can be recognized from a distance.

Culamani Temple has its own separate wall of brick with an archway entrance. Here the brick laying is so systematic and perfect, posterity should learn and note much from it.

Brick laying technique of Bagan era may also be seen at Dhamayaungyi Temple. Yet, we are amazed by the brick work at Culamani Temple.

Aside from the brick, work, floral designs in mortar such as floral arabesque, motif and accent festooned on pillars and walls of the tample, some in floral designs of ogres, string of pearls and other patterns are amazing.

King Nara-Padi-Sithu built the Culamani Temple in 1183 AD. The temple has arched gateways on four sides for the convenience of devotees.

The temple has two tiers of arched passage ways inside.

Around the thick centre, there are archways.

It is gratifying to see Buddha images in sitting posture along the passages which are still in their original shape in spite of various repairs through the ages.

Moreover, there are many things to study at the Culamani Temple.

Along the arched passage ways, there are floral arabesque, mosaic and wall paintings.

Along side the Bagan era painting, there are some additions of later Konbaung period.

Paintings occupy the whole wall along the passages. Paintings on Buddhology include sitting and reclining postures.

Black, saffron, brown and red are the favourite colours for the paintings.

Paintings here are not the enactment of Buddhology according to the Jataka or other stories. The emphasis is dedicated to the great devotion of the Sangha and the laity making obeisance to Lord Buddha.

After studying the marvelous brick and mortar work and wall paintings at Culamani Temple with later Konbaung period additions, we continue of our pilgrimage to the ancient Bagan Pagodas and Temples.